Bishilol

Be fun, be cool, be shi

theartofanimation:

Denki

theartofanimation:

Okitsune

theartofanimation:

Tamidatami

thecrimsonprincess: “ x ”

thecrimsonprincess:

x

(via error888)

theartofanimation:

Greg Capullo

(via m7781)

diplodocouille:

Densetsu

(Source: izrablack, via iamleyeti-deactivated20170817)

art-shannonigans: “Inner Oni by ~mr-potato ”

art-shannonigans:

Inner Oni by ~mr-potato

theartofanimation:

Lisa Keene

sbosma:

theartofanimation:

Sam Bosma

Cool, it’s me! You’d think a post about my work on tumbler might include a link to my tumblr, instead of a defunct blog, though, wouldn’t you?

(via lefrancreative)

art-shannonigans: “Hogarth’s sweet ride by ~t-wei ”

art-shannonigans:

Hogarth’s sweet ride by ~t-wei

vanhir: “ A Lamb to the Slaughter - Dead End Thrills ”

vanhir:

A Lamb to the Slaughter - Dead End Thrills

(Source: vio-vile, via elvrona-blog)

theartofanimation:

Kurt Huggins, Zelda Devon

it8bit: “Super Meat Boy Created and submitted by Josh Summana for 8Bit Ego. Watch the “making of” video here! ”

it8bit:

Super Meat Boy

Created and submitted by Josh Summana for 8Bit Ego.

Watch the “making of” video here!

(Source: it8bit, via it8bit)

kellysue:

chiloconcarne:

shadowise:

A Lonely God - a series of slightly sad superhero posters.

Source

I’m in love with this

I was just talking to an artist yesterday about the tendency to crop things really close and tight in order to enhance drama.  If it’s overdone — which happens frequently with artists—you start to feel like you’re watching a movie through a hole in a sheet.  

Pull the camera out.  Be brave enough to let the reader orient. 

Occasionally, in the right moment, pull the camera way, way out even. How does that effect the emotional beat? 

(via wilwheaton)